Niagadina
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2013
- Album
- Totally Mobilee - Rodriguez Jr. Collection, Vol. 1
- Genre
- Tech House
- Loudness
- -11.2 dB
- Dynamics
- 9.0 dB
- ISRC
- DECL11100341
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Niagadinaoriginal4A · 125
A club-tempo tech house cut, Niagadina sits in F minor (4A) at 125 BPM. The feel is bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Rodriguez Jr.'s catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 94% of Rodriguez Jr.'s catalogue
- Low end:
- more bass-heavy than 94% of Rodriguez Jr.'s catalogue
- Groove:
- groovier than 86% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Niagadina in?
Niagadina by Rodriguez Jr. is in F minor, or 4A on the Camelot wheel.
What BPM is Niagadina?
Niagadina runs at 125 BPM, a club-tempo track.
What mixes well with Niagadina?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Niagadina good for peak time?
With energy 52 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
