Happinezz (feat. Ginger) - Edit by Boris Brejcha cover art

Happinezz (feat. Ginger) - Edit

Boris Brejcha

30s preview

Key
9B · G major
BPM
125
Open Key
2d
Energy
51/100
Pop
49/100
Length
4:06
Released
2019
Album
Happinezz (feat. Ginger) [Edit]
Genre
Tech House
Loudness
-12.6 dB
Dynamics
11.2 dB
ISRC
USUS11900411

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 125 BPM), this version holds the same tempo in the same key.

Happinezz (feat. Ginger) - Edit runs 125 BPM in G major (9B), a club-tempo tech house record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 95% of Boris Brejcha's catalogue
Groove:
less groove-driven than 90% of Boris Brejcha's catalogue
Energy:
calmer than 81% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood27Dark
Groove75
Acoustic1
Instrumental77
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Happinezz (feat. Ginger) - Edit in?

Happinezz (feat. Ginger) - Edit by Boris Brejcha is in G major, or 9B on the Camelot wheel.

What BPM is Happinezz (feat. Ginger) - Edit?

Happinezz (feat. Ginger) - Edit runs at 125 BPM, a club-tempo track.

What mixes well with Happinezz (feat. Ginger) - Edit?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Happinezz (feat. Ginger) - Edit good for peak time?

With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track