Every Wall Is a Door
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 8:48
- Released
- 2012
- Album
- Every Wall Is a Door / The Gloomies
- Genre
- Deep House
- Loudness
- -13.1 dB
- Dynamics
- 11.6 dB
- ISRC
- DEH741206689
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Every Wall Is a Doororiginal10A · 125
A club-tempo deep house cut, Every Wall Is a Door sits in B minor (10A) at 125 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of NTO's catalogue.
- Brightness:
- darker than 89% of NTO's catalogue
- Low end:
- more treble-tilted than 76% of NTO's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Every Wall Is a Door in?
Every Wall Is a Door by NTO is in B minor, or 10A on the Camelot wheel.
What BPM is Every Wall Is a Door?
Every Wall Is a Door runs at 125 BPM, a club-tempo track.
What mixes well with Every Wall Is a Door?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Every Wall Is a Door good for peak time?
With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
