Minimum 23 by Josh Wink cover art

Minimum 23

Josh Wink

30s preview

Key
1A · A♭ minor
BPM
125
Open Key
6m
Energy
78/100
Pop
2/100
Length
8:52
Released
2009
Genre
Minimal
Label
Ovum Recordings
Loudness
-9.4 dB
Dynamics
12.5 dB
ISRC
US4LK0990076

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Minimum 23: club-tempo minimal, A♭ minor (1A), 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. Groovier than 79% of Josh Wink's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 78% of Josh Wink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood41Balanced
Groove80
Acoustic0
Instrumental81
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Minimum 23 in?

Minimum 23 by Josh Wink is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Minimum 23?

Minimum 23 runs at 125 BPM, a club-tempo track.

What mixes well with Minimum 23?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Minimum 23 good for peak time?

With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More minimal

More from Josh Wink

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track