Killin' Us - Metodi Hristov Remix
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 79/100
- Pop
- 18/100
- Length
- 6:12
- Released
- 2017
- Album
- Back To Origins
- Genre
- Tech House
- Loudness
- -8.3 dB
- Dynamics
- 11.5 dB
- ISRC
- NLCK41035603
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Killin' Usoriginal1B · 123
Against the original (1B at 123 BPM), this version runs 2 BPM faster and moves the key from 1B to 12A.
Killin' Us - Metodi Hristov Remix is a club-tempo tech house track in D♭ minor (12A) at 125 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Better known than 87% of Wade's catalogue.
- Groove:
- groovier than 76% of Wade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Killin' Us - Metodi Hristov Remix in?
Killin' Us - Metodi Hristov Remix by Wade is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Killin' Us - Metodi Hristov Remix?
Killin' Us - Metodi Hristov Remix runs at 125 BPM, a club-tempo track.
What mixes well with Killin' Us - Metodi Hristov Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Killin' Us - Metodi Hristov Remix good for peak time?
With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Wade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
