Shake - Alexander Technique Extended Remix
- BPM
- 128
- Open Key
- 3m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:19
- Released
- 2020
- Album
- Shake (Alexander Technique Remix)
- Genre
- House
- Loudness
- -5.6 dB
- ISRC
- USMKQ2000060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shake - Alexander Technique Remixremix3B · 128
- Shakeoriginal10A · 125
- Shake - Extended Mixversion9A · 125
Against the original (10A at 125 BPM), this version runs 3 BPM faster in the same key.
Shake - Alexander Technique Extended Remix runs 128 BPM in B minor (10A), a peak-time tempo house record. The mix is almost entirely instrumental. More underground than 99% of Todd Terry's catalogue.
- Brightness:
- darker than 98% of Todd Terry's catalogue
- Tempo:
- faster than 93% of Todd Terry's catalogue
- Groove:
- less groove-driven than 81% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shake - Alexander Technique Extended Remix in?
Shake - Alexander Technique Extended Remix by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is Shake - Alexander Technique Extended Remix?
Shake - Alexander Technique Extended Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Shake - Alexander Technique Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Shake - Alexander Technique Extended Remix good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.