Work 2007 - Kenny Hayes Dub Additiction Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 6:57
- Released
- 2002
- Album
- Work 2007
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- GBCFZ0701297
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work 2007 - Dancing DJs Remixremix4B · 142
- Work 2007 - Deep Life Vocal Remixremix12A · 128
- Work 2007 - Extended Mixversion9B · 130
- Work 2007 - House Agents Remixremix8B · 128
- Work 2007 - Kenny Hayes Clubs Addiction Remixremix4B · 128
- Work 2007 - Milk & Sugar Remixremix4B · 126
Work 2007 - Kenny Hayes Dub Additiction Remix runs 128 BPM in D♭ major (3B), a peak-time tempo house record. The mix is almost entirely instrumental. A 2002 production that still circulates in sets. More underground than 99% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 83% of Masters At Work's catalogue
- Tempo:
- faster than 82% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Work 2007 - Kenny Hayes Dub Additiction Remix in?
Work 2007 - Kenny Hayes Dub Additiction Remix by Masters At Work is in D♭ major, or 3B on the Camelot wheel.
What BPM is Work 2007 - Kenny Hayes Dub Additiction Remix?
Work 2007 - Kenny Hayes Dub Additiction Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Work 2007 - Kenny Hayes Dub Additiction Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Work 2007 - Kenny Hayes Dub Additiction Remix good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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