Dogs In Da House - Extended Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 3/100
- Length
- 5:31
- Released
- 2021
- Album
- Dogs In Da House
- Genre
- Tech House
- Loudness
- -6.2 dB
- Dynamics
- 10.7 dB
- ISRC
- GBJAJ2100227
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dogs In Da Houseoriginal3B · 128
Against the original (3B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in D♭ major (3B), Dogs In Da House - Extended Mix is a peak-time tempo tech house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 92% of Dennis Cruz's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 80% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dogs In Da House - Extended Mix in?
Dogs In Da House - Extended Mix by Dennis Cruz is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dogs In Da House - Extended Mix?
Dogs In Da House - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Dogs In Da House - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dogs In Da House - Extended Mix good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
