What a Day - Edit by Kolter cover art

What a Day - Edit

Kolter

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
88/100
Pop
35/100
Length
4:20
Released
2024
Album
What a Day (Edit)
Genre
House
Loudness
-7.9 dB
Dynamics
12.3 dB
ISRC
DEH742426046

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

What a Day - Edit: peak-time tempo house, B♭ minor (3A), 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 94% of Kolter's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 90% of Kolter's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood53Balanced
Groove74
Acoustic0
Instrumental82
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is What a Day - Edit in?

What a Day - Edit by Kolter is in B♭ minor, or 3A on the Camelot wheel.

What BPM is What a Day - Edit?

What a Day - Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with What a Day - Edit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is What a Day - Edit good for peak time?

With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Kolter

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track