Tribe - Chip Jacks Remix
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2015
- Album
- Tribe
- Genre
- Techno
- Loudness
- -8.0 dB
- Dynamics
- 17.5 dB
- ISRC
- UKACT1560340
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tribeoriginal12A · 128
- Tribe - Trus'me You Want Me Remixremix3B · 128
Against the original (12A at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in D♭ minor (12A), Tribe - Chip Jacks Remix is a peak-time tempo techno production. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). A 2015 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue.
- Low end:
- more treble-tilted than 99% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 12%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Tribe - Chip Jacks Remix in?
Tribe - Chip Jacks Remix by Alan Fitzpatrick is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Tribe - Chip Jacks Remix?
Tribe - Chip Jacks Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Tribe - Chip Jacks Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Tribe - Chip Jacks Remix good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
