Violently Happy - Masters At Work 12"
30s preview
- Key
- 8B · C major
- BPM
- 120
- Open Key
- 1d
- Energy
- 71/100
- Pop
- 21/100
- Length
- 6:11
- Released
- 1993
- Album
- Björk Meets The Masters At Work
- Genre
- House
- Loudness
- -12.4 dB
- Dynamics
- 16.9 dB
- ISRC
- GBBTF9300034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Violently Happy - Basso Hitto Dubboversion4B · 120
At 120 BPM in C major (8B), Violently Happy - Masters At Work 12" is a club-tempo house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1993 production that still circulates in sets. Better known than 92% of Masters At Work's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 92% of Masters At Work's catalogue
- Tempo:
- slower than 91% of Masters At Work's catalogue
- Brightness:
- brighter than 76% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Violently Happy - Masters At Work 12" in?
Violently Happy - Masters At Work 12" by Masters At Work is in C major, or 8B on the Camelot wheel.
What BPM is Violently Happy - Masters At Work 12"?
Violently Happy - Masters At Work 12" runs at 120 BPM, a club-tempo track.
What mixes well with Violently Happy - Masters At Work 12"?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Violently Happy - Masters At Work 12" good for peak time?
With energy 71 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 120 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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