Tengo La Musica by Darius Syrossian cover art

Tengo La Musica

Darius Syrossian

30s preview

Key
2A · E♭ minor
BPM
128
Open Key
7m
Energy
88/100
Pop
21/100
Length
5:53
Released
2025
Genre
House
Loudness
-6.3 dB
Dynamics
15.2 dB
ISRC
GBKQU2503066

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 128 BPM in E♭ minor (2A), Tengo La Musica is a peak-time tempo house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 95% of Darius Syrossian's catalogue.

Reach:
better known than 89% of Darius Syrossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood55Balanced
Groove80
Acoustic0
Instrumental89
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Tengo La Musica in?

Tengo La Musica by Darius Syrossian is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Tengo La Musica?

Tengo La Musica runs at 128 BPM, a peak-time tempo track.

What mixes well with Tengo La Musica?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Tengo La Musica good for peak time?

With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Darius Syrossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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