Mentally In Miami by Gene Farris cover art

Mentally In Miami

Gene Farris

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
91/100
Pop
17/100
Length
2:56
Released
2024
Genre
House
Loudness
-6.9 dB
Dynamics
8.8 dB
ISRC
GBK6Y2452101

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mentally In Miami runs 128 BPM in G major (9B), a peak-time tempo house record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 92% of Gene Farris's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 92% of Gene Farris's catalogue
Tempo:
faster than 82% of Gene Farris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood57Balanced
Groove68
Acoustic0
Instrumental90
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Mentally In Miami in?

Mentally In Miami by Gene Farris is in G major, or 9B on the Camelot wheel.

What BPM is Mentally In Miami?

Mentally In Miami runs at 128 BPM, a peak-time tempo track.

What mixes well with Mentally In Miami?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Mentally In Miami good for peak time?

With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Gene Farris

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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