I Don't Want A Lot
- Key
- 1B · B major
- BPM
- 131
- Open Key
- 6d
- Energy
- 88/100
- Pop
- 21/100
- Length
- 2:14
- Released
- 2025
- Genre
- House
- Loudness
- -8.3 dB
- ISRC
- USUYG1718378
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Don't Want A Lot is a peak-time tempo house track in B major (1B) at 131 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. Better known than 96% of Gene Farris's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 95% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Don't Want A Lot in?
I Don't Want A Lot by Gene Farris is in B major, or 1B on the Camelot wheel.
What BPM is I Don't Want A Lot?
I Don't Want A Lot runs at 131 BPM, a peak-time tempo track.
What mixes well with I Don't Want A Lot?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is I Don't Want A Lot good for peak time?
With energy 88 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 131 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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