Better Is Weather by Toman cover art

Better Is Weather

Toman

30s preview

Key
10A · B minor
BPM
131
Open Key
3m
Energy
90/100
Pop
13/100
Length
6:51
Released
2021
Genre
Tech House
Loudness
-8.6 dB
Dynamics
14.9 dB
ISRC
QMZQ41631002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Better Is Weather sits in B minor (10A) at 131 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Brighter than 99% of Toman's catalogue.

Tempo:
faster than 89% of Toman's catalogue
Low end:
more treble-tilted than 88% of Toman's catalogue
Groove:
less groove-driven than 76% of Toman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood97Bright
Groove80
Acoustic0
Instrumental90
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Better Is Weather in?

Better Is Weather by Toman is in B minor, or 10A on the Camelot wheel.

What BPM is Better Is Weather?

Better Is Weather runs at 131 BPM, a peak-time tempo track.

What mixes well with Better Is Weather?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Better Is Weather good for peak time?

With energy 90 out of 100 at 131 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 131 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track