I Give You Love - Janika Tenn VIP Edit
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 22/100
- Length
- 2:48
- Released
- 2023
- Album
- I Give You Love (Janika Tenn VIP Mix)
- Genre
- House
- Loudness
- -6.1 dB
- Dynamics
- 10.9 dB
- ISRC
- USMKQ2300033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Give You Love - Editversion3A · 123
- I Give You Love - Todd Terry VIP Editversion3B · 125
- I Give You Love - Extended Mixversion3A · 123
- I Give You Love - Janika Tenn VIP Mixoriginal3A · 127
- I Give You Love - Todd Terry VIP Mixoriginal3B · 125
I Give You Love - Janika Tenn VIP Edit runs 127 BPM in B♭ minor (3A), a peak-time tempo house record. The feel is bright and euphoric. It is vocal-led. Better known than 96% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Todd Terry's catalogue
- Tempo:
- faster than 91% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 89% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I Give You Love - Janika Tenn VIP Edit in?
I Give You Love - Janika Tenn VIP Edit by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is I Give You Love - Janika Tenn VIP Edit?
I Give You Love - Janika Tenn VIP Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with I Give You Love - Janika Tenn VIP Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is I Give You Love - Janika Tenn VIP Edit good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![How He Works (feat. Nico Vega) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
![Miami (LP Giobbi Extended Remix) [feat. Nile Rodgers] by LP Giobbi cover art](https://i.scdn.co/image/ab67616d00001e02b8f16bd44f10222dca8aef1a){kind=small}
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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