Take You There - Prok & Fitch Floorplay Remix
- Key
- 4A · F minor
- BPM
- 127
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:41
- Released
- 2012
- Album
- Take You There
- Genre
- House
- Loudness
- -4.5 dB
- ISRC
- QMTGL1200070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take You There - Dub Mixversion3B · 127
- Take You There - Original Mixoriginal3B · 127
Against the original (3B at 127 BPM), this version holds the same tempo and moves the key from 3B to 4A.
Take You There - Prok & Fitch Floorplay Remix: peak-time tempo house, F minor (4A), 127 BPM. The feel is dark and driving. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 85% of Roger Sanchez's catalogue
- Energy:
- hotter than 83% of Roger Sanchez's catalogue
- Groove:
- less groove-driven than 76% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take You There - Prok & Fitch Floorplay Remix in?
Take You There - Prok & Fitch Floorplay Remix by Roger Sanchez is in F minor, or 4A on the Camelot wheel.
What BPM is Take You There - Prok & Fitch Floorplay Remix?
Take You There - Prok & Fitch Floorplay Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Take You There - Prok & Fitch Floorplay Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Take You There - Prok & Fitch Floorplay Remix good for peak time?
With energy 93 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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