Alma Roja - DJ Chus Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 40/100
- Length
- 3:04
- Released
- 2020
- Album
- Alma Roja (DJ CHUS Remix)
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 9.1 dB
- ISRC
- GBKQU2061712
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alma Rojaoriginal9A · 120
- Alma Roja - Dub Mixversion10A · 120
- Alma Roja - Oba's 305 Drum Attack Mixoriginal10A · 120
Against the original (9A at 120 BPM), this version runs 5 BPM faster and moves the key from 9A to 3A.
Alma Roja - DJ Chus Remix runs 125 BPM in B♭ minor (3A), a club-tempo house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Roger Sanchez's catalogue.
- Low end:
- more bass-heavy than 90% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Alma Roja - DJ Chus Remix in?
Alma Roja - DJ Chus Remix by Roger Sanchez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Alma Roja - DJ Chus Remix?
Alma Roja - DJ Chus Remix runs at 125 BPM, a club-tempo track.
What mixes well with Alma Roja - DJ Chus Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Alma Roja - DJ Chus Remix good for peak time?
With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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