This Feeling (feat. Julie McKnight) (Low Steppa Remix) by Roger Sanchez cover art

This Feeling (feat. Julie McKnight) (Low Steppa Remix)

Roger Sanchez

30s preview

Key
6A · G minor
BPM
125
Open Key
11m
Energy
87/100
Pop
16/100
Length
7:02
Released
2018
Album
This Feeling (feat. Julie McKnight) [Remixes]
Genre
House
Loudness
-6.2 dB
Dynamics
9.4 dB
ISRC
GBDVG1892101

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 126 BPM), this version runs 1 BPM slower and moves the key from 9B to 6A.

This Feeling (feat. Julie McKnight) (Low Steppa Remix) is a club-tempo house track in G minor (6A) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Better known than 87% of Roger Sanchez's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 83% of Roger Sanchez's catalogue
Low end:
more bass-heavy than 77% of Roger Sanchez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood42Balanced
Groove81
Acoustic0
Instrumental70
Live57
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is This Feeling (feat. Julie McKnight) (Low Steppa Remix) in?

This Feeling (feat. Julie McKnight) (Low Steppa Remix) by Roger Sanchez is in G minor, or 6A on the Camelot wheel.

What BPM is This Feeling (feat. Julie McKnight) (Low Steppa Remix)?

This Feeling (feat. Julie McKnight) (Low Steppa Remix) runs at 125 BPM, a club-tempo track.

What mixes well with This Feeling (feat. Julie McKnight) (Low Steppa Remix)?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is This Feeling (feat. Julie McKnight) (Low Steppa Remix) good for peak time?

With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Roger Sanchez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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