This Feeling (feat. Julie McKnight) (Junior Sanchez Dub)
- BPM
- 126
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 1/100
- Length
- 6:06
- Released
- 2018
- Album
- This Feeling (feat. Julie McKnight) [Remixes]
- Genre
- House
- Loudness
- -8.0 dB
- ISRC
- GBDVG1892102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Feeling (feat. Julie McKnight) (Low Steppa Remix)remix6A · 125
- This Feeling (feat. Julie McKnight) (Redford (NL) Dub)version4A · 124
- This Feeling (feat. Julie McKnight)original9B · 126
- This Feeling (feat. Julie McKnight) - Dubversion4A · 126
- This Feeling (feat. Julie McKnight) - Radio Editversion4A · 126
Against the original (9B at 126 BPM), this version holds the same tempo and moves the key from 9B to 3A.
This Feeling (feat. Julie McKnight) (Junior Sanchez Dub) runs 126 BPM in B♭ minor (3A), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Groovier than 83% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This Feeling (feat. Julie McKnight) (Junior Sanchez Dub) in?
This Feeling (feat. Julie McKnight) (Junior Sanchez Dub) by Roger Sanchez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is This Feeling (feat. Julie McKnight) (Junior Sanchez Dub)?
This Feeling (feat. Julie McKnight) (Junior Sanchez Dub) runs at 126 BPM, a club-tempo track.
What mixes well with This Feeling (feat. Julie McKnight) (Junior Sanchez Dub)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is This Feeling (feat. Julie McKnight) (Junior Sanchez Dub) good for peak time?
With energy 88 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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