For The Beloved - Todd Terry B2B Mix by Todd Terry cover art

For The Beloved - Todd Terry B2B Mix

Todd Terry

30s preview

Key
4A · F minor
BPM
126
Open Key
9m
Energy
87/100
Pop
14/100
Length
6:44
Released
2025
Album
For The Beloved (The Todd Terry Mixes)
Genre
House
Loudness
-6.5 dB
Dynamics
11.5 dB
ISRC
DGA0T2416996

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

For The Beloved - Todd Terry B2B Mix: club-tempo house, F minor (4A), 126 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 93% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 91% of Todd Terry's catalogue
Tempo:
faster than 77% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood88Bright
Groove78
Acoustic0
Instrumental76
Live22
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is For The Beloved - Todd Terry B2B Mix in?

For The Beloved - Todd Terry B2B Mix by Todd Terry is in F minor, or 4A on the Camelot wheel.

What BPM is For The Beloved - Todd Terry B2B Mix?

For The Beloved - Todd Terry B2B Mix runs at 126 BPM, a club-tempo track.

What mixes well with For The Beloved - Todd Terry B2B Mix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is For The Beloved - Todd Terry B2B Mix good for peak time?

With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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