Made for Manchester - Alan Fitzpatrick Remix
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2017
- Album
- Made for Manchester
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 9.7 dB
- ISRC
- UKGGD1700014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Made for Manchesteroriginal12A · 123
Against the original (12A at 123 BPM), this version runs 3 BPM faster and moves the key from 12A to 4B.
Made for Manchester - Alan Fitzpatrick Remix is a club-tempo house track in A♭ major (4B) at 126 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Darius Syrossian's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 93% of Darius Syrossian's catalogue
- Groove:
- less groove-driven than 80% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Made for Manchester - Alan Fitzpatrick Remix in?
Made for Manchester - Alan Fitzpatrick Remix by Darius Syrossian is in A♭ major, or 4B on the Camelot wheel.
What BPM is Made for Manchester - Alan Fitzpatrick Remix?
Made for Manchester - Alan Fitzpatrick Remix runs at 126 BPM, a club-tempo track.
What mixes well with Made for Manchester - Alan Fitzpatrick Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Made for Manchester - Alan Fitzpatrick Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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