
Heal My Heart - Kyle Kim Back to the 80's Mix
- BPM
- 126
- Open Key
- 4d
- Energy
- 85/100
- Pop
- 2/100
- Length
- 8:04
- Released
- 2008
- Album
- Heal My Heart
- Genre
- Deep House
- Loudness
- -5.2 dB
- ISRC
- USA671900411
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heal My Heart - Brokenears Extended Remixremix3B · 124
- Heal My Heart - Kaoz Original Concept Mixoriginal3B · 124
- Heal My Heart - Dark Mixoriginal11A · 124
- Heal My Heart - Marco Anzalone Extended Remix Dubremix3B · 126
- Heal My Heart - Quentin Harris Black Heart Re-Productionoriginal3B · 125
- Heal My Heart - Big Mixoriginal1B · 124
Heal My Heart - Kyle Kim Back to the 80's Mix runs 126 BPM in A major (11B), a club-tempo deep house record. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2008 production that still circulates in sets. Brighter than 87% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 76% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Heal My Heart - Kyle Kim Back to the 80's Mix in?
Heal My Heart - Kyle Kim Back to the 80's Mix by Kerri Chandler is in A major, or 11B on the Camelot wheel.
What BPM is Heal My Heart - Kyle Kim Back to the 80's Mix?
Heal My Heart - Kyle Kim Back to the 80's Mix runs at 126 BPM, a club-tempo track.
What mixes well with Heal My Heart - Kyle Kim Back to the 80's Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Heal My Heart - Kyle Kim Back to the 80's Mix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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