You Are In My System - Club Mix
- BPM
- 128
- Open Key
- 7m
- Energy
- 85/100
- Pop
- 66/100
- Length
- 3:06
- Released
- 2023
- Album
- You Are In My System
- Genre
- House
- Label
- Kerri Chandler
- Loudness
- -5.1 dB
- ISRC
- GBKQU2380765
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Are In My System - Faster Horses Sport Mixoriginal3A · 140
- You Are In My System - Philip George Remixremix2A · 132
Against the original (3A at 140 BPM), this version runs 12 BPM slower and moves the key from 3A to 2A.
You Are In My System - Club Mix is a peak-time tempo house track in E♭ minor (2A) at 128 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Better known than 99% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 96% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Are In My System - Club Mix in?
You Are In My System - Club Mix by Kerri Chandler is in E♭ minor, or 2A on the Camelot wheel.
What BPM is You Are In My System - Club Mix?
You Are In My System - Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with You Are In My System - Club Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is You Are In My System - Club Mix good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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