Early Morning Awakenings
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 1/100
- Length
- 6:18
- Released
- 2007
- Genre
- Progressive House
- Loudness
- -10.9 dB
- Dynamics
- 14.3 dB
- ISRC
- GBHFW0700941
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Early Morning Awakenings: peak-time tempo progressive house, D♭ major (3B), 128 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. Brighter than 96% of Eelke Kleijn's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 85% of Eelke Kleijn's catalogue
- Groove:
- groovier than 81% of Eelke Kleijn's catalogue
- Energy:
- hotter than 78% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Early Morning Awakenings in?
Early Morning Awakenings by Eelke Kleijn is in D♭ major, or 3B on the Camelot wheel.
What BPM is Early Morning Awakenings?
Early Morning Awakenings runs at 128 BPM, a peak-time tempo track.
What mixes well with Early Morning Awakenings?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Early Morning Awakenings good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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