Don’t Go Quietly by Third Son cover art

Don’t Go Quietly

Third Son

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
86/100
Pop
0/100
Length
6:01
Released
2021
Genre
Tech House
Loudness
-8.5 dB
Dynamics
10.5 dB
ISRC
UKN6K2003721

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don’t Go Quietly: peak-time tempo tech house, B♭ minor (3A), 128 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Third Son's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 98% of Third Son's catalogue
Energy:
hotter than 81% of Third Son's catalogue
Tempo:
faster than 77% of Third Son's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood87Bright
Groove77
Acoustic0
Instrumental92
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Don’t Go Quietly in?

Don’t Go Quietly by Third Son is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Don’t Go Quietly?

Don’t Go Quietly runs at 128 BPM, a peak-time tempo track.

What mixes well with Don’t Go Quietly?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Don’t Go Quietly good for peak time?

With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Third Son

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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