The Funk Phenomena - Da Hool Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 86/100
- Pop
- 11/100
- Length
- 6:32
- Released
- 1996
- Album
- The Funk Phenomena (The Remixes)
- Genre
- House
- Loudness
- -5.8 dB
- ISRC
- USRK31400081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Funk Phenomenaoriginal12A · 127
- The Funk Phenomena - Radio Editversion12A · 127
- The Funk Phenomena - Matthias Edit 1version3B · 127
- The Funk Phenomena - Matthias Edit 2version3B · 127
- The Funk Phenomena - Starkillers Mixoriginal9B · 128
- The Funk Phenomena - Johnick Kenny Dope Master Mixoriginal2B · 125
Against the original (12A at 127 BPM), this version runs 1 BPM faster and moves the key from 12A to 3B.
At 128 BPM in D♭ major (3B), The Funk Phenomena - Da Hool Remix is a peak-time tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 1996 production that still circulates in sets. Groovier than 78% of Armand Van Helden's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 76% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Funk Phenomena - Da Hool Remix in?
The Funk Phenomena - Da Hool Remix by Armand Van Helden is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Funk Phenomena - Da Hool Remix?
The Funk Phenomena - Da Hool Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Funk Phenomena - Da Hool Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Funk Phenomena - Da Hool Remix good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.