My My My
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 98/100
- Pop
- 45/100
- Length
- 2:38
- Released
- 2004
- Genre
- House
- Label
- Southern Fried Records
- Loudness
- -4.5 dB
- Dynamics
- 11.8 dB
- ISRC
- GBEFR2309227
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
My My My: peak-time tempo house, E minor (9A), 128 BPM. Tonally it lands punchy, neutral in mood. Vocals read as instrumental. The timbre leans bright. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2004 production that still circulates in sets. Hotter than 97% of Armand Van Helden's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 96% of Armand Van Helden's catalogue
- Groove:
- less groove-driven than 94% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 85% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is My My My in?
My My My by Armand Van Helden is in E minor, or 9A on the Camelot wheel.
What BPM is My My My?
My My My runs at 128 BPM, a peak-time tempo track.
What mixes well with My My My?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is My My My good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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