The Funk Phenomena - Johnick Kenny Dope Master Mix
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 89/100
- Pop
- 10/100
- Length
- 10:32
- Released
- 1996
- Album
- The Funk Phenomena (The Remixes)
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 13.5 dB
- ISRC
- USRK31200221
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Funk Phenomenaoriginal12A · 127
- The Funk Phenomena - Radio Editversion12A · 127
- The Funk Phenomena - Matthias Edit 1version3B · 127
- The Funk Phenomena - Matthias Edit 2version3B · 127
- The Funk Phenomena - Starkillers Mixoriginal9B · 128
- The Funk Phenomena - Da Hool Remixremix3B · 128
At 125 BPM in F♯ major (2B), The Funk Phenomena - Johnick Kenny Dope Master Mix is a club-tempo house production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 1996 production that still circulates in sets. Darker than 96% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 87% of Armand Van Helden's catalogue
- Tempo:
- slower than 76% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Funk Phenomena - Johnick Kenny Dope Master Mix in?
The Funk Phenomena - Johnick Kenny Dope Master Mix by Armand Van Helden is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Funk Phenomena - Johnick Kenny Dope Master Mix?
The Funk Phenomena - Johnick Kenny Dope Master Mix runs at 125 BPM, a club-tempo track.
What mixes well with The Funk Phenomena - Johnick Kenny Dope Master Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Funk Phenomena - Johnick Kenny Dope Master Mix good for peak time?
With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Do It All Night - Honey Dijon Remix [Radio Edit] by Honey Dijon cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/78c1c6df9620620cdac0.webp){kind=small}
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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