Bounce to the Beat - Tee's Nu Freeze Mix
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 5:23
- Released
- 2015
- Album
- Norty Cotto Inhouse Sessions 2015
- Genre
- House
- Loudness
- -9.2 dB
- ISRC
- USMKQ1000443
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Alaia & Gallo 2k15 Mixoriginal3A · 125
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce to the Beat - Steve Lawler Remixremix3B · 128
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler Remix Editremix3A · 128
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
Bounce to the Beat - Tee's Nu Freeze Mix runs 128 BPM in C major (8B), a peak-time tempo house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 93% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bounce to the Beat - Tee's Nu Freeze Mix in?
Bounce to the Beat - Tee's Nu Freeze Mix by Todd Terry is in C major, or 8B on the Camelot wheel.
What BPM is Bounce to the Beat - Tee's Nu Freeze Mix?
Bounce to the Beat - Tee's Nu Freeze Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Bounce to the Beat - Tee's Nu Freeze Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Bounce to the Beat - Tee's Nu Freeze Mix good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.