Bounce to the Beat - Alaia & Gallo 2k15 Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 10/100
- Length
- 5:16
- Released
- 2015
- Album
- Bounce to the Beat (Alaia & Gallo 2k15 Mix)
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 10.7 dB
- ISRC
- USMKQ1500070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce to the Beat - Steve Lawler Remixremix3B · 128
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler Remix Editremix3A · 128
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
- Bounce To The Beat - Chris Stussy Remixremix3A · 133
A club-tempo house cut, Bounce to the Beat - Alaia & Gallo 2k15 Mix sits in B♭ minor (3A) at 125 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Hotter than 98% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 89% of Todd Terry's catalogue
- Groove:
- less groove-driven than 83% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Bounce to the Beat - Alaia & Gallo 2k15 Mix in?
Bounce to the Beat - Alaia & Gallo 2k15 Mix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Bounce to the Beat - Alaia & Gallo 2k15 Mix?
Bounce to the Beat - Alaia & Gallo 2k15 Mix runs at 125 BPM, a club-tempo track.
What mixes well with Bounce to the Beat - Alaia & Gallo 2k15 Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Bounce to the Beat - Alaia & Gallo 2k15 Mix good for peak time?
With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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