Bounce With Me - Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:56
- Released
- 2018
- Album
- Bounce With Me
- Genre
- Tech House
- Loudness
- -8.0 dB
- Dynamics
- 11.8 dB
- ISRC
- GBHAD1800699
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce With Meoriginal9A · 125
- Bounce With Me - Biscits Remixremix4B · 125
- Bounce With Me - Biscits Remix - Radio Editremix4B · 125
Against the original (9A at 125 BPM), this version holds the same tempo and moves the key from 9A to 8A.
Bounce With Me - Radio Edit is a club-tempo tech house track in A minor (8A) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Max Chapman's catalogue
- Low end:
- more treble-tilted than 83% of Max Chapman's catalogue
- Energy:
- hotter than 77% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Bounce With Me - Radio Edit in?
Bounce With Me - Radio Edit by Max Chapman is in A minor, or 8A on the Camelot wheel.
What BPM is Bounce With Me - Radio Edit?
Bounce With Me - Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Bounce With Me - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Bounce With Me - Radio Edit good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
![Solaris (House Mix) [Edit] by Hernan Cattaneo cover art](https://i.scdn.co/image/ab67616d00001e021bcd824b96638e5905d674fa){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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