Thief In The Night - Max Chapman Remix
30s preview
- Key
- 4A · F minor
- BPM
- 127
- Open Key
- 9m
- Energy
- 87/100
- Pop
- 32/100
- Length
- 3:34
- Released
- 2020
- Album
- Thief In The Night (Edit) [Max Chapman Remixx]
- Genre
- Tech House
- Loudness
- -6.4 dB
- Dynamics
- 15.9 dB
- ISRC
- GB8KE2054618
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in F minor (4A), Thief In The Night - Max Chapman Remix is a peak-time tempo tech house production. It reads as dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). Better known than 99% of Max Chapman's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of Max Chapman's catalogue
- Brightness:
- darker than 92% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Thief In The Night - Max Chapman Remix in?
Thief In The Night - Max Chapman Remix by Max Chapman is in F minor, or 4A on the Camelot wheel.
What BPM is Thief In The Night - Max Chapman Remix?
Thief In The Night - Max Chapman Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Thief In The Night - Max Chapman Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Thief In The Night - Max Chapman Remix good for peak time?
With energy 87 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.