Insanity
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 2:53
- Released
- 2021
- Genre
- House
- Loudness
- -6.1 dB
- Dynamics
- 13.4 dB
- ISRC
- USMKQ2100039
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Insanity - Extended Mixversion11A · 125
At 125 BPM in A♭ major (4B), Insanity is a club-tempo house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 95% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Insanity in?
Insanity by Todd Terry is in A♭ major, or 4B on the Camelot wheel.
What BPM is Insanity?
Insanity runs at 125 BPM, a club-tempo track.
What mixes well with Insanity?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Insanity good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.