Wat's Dat Sound - Tee's Dubtech
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:41
- Released
- 2018
- Album
- Wat's Dat Sound
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 11.2 dB
- ISRC
- USMKQ1800016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wat's Dat Sound - Tee's Inhouse Mixoriginal3A · 125
- Wat's Dat Sound - Todd Terry Remixremix3A · 125
Against the original (3A at 125 BPM), this version holds the same tempo in the same key.
Wat's Dat Sound - Tee's Dubtech runs 125 BPM in B♭ minor (3A), a club-tempo house record. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 95% of Todd Terry's catalogue
- Groove:
- groovier than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Wat's Dat Sound - Tee's Dubtech in?
Wat's Dat Sound - Tee's Dubtech by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Wat's Dat Sound - Tee's Dubtech?
Wat's Dat Sound - Tee's Dubtech runs at 125 BPM, a club-tempo track.
What mixes well with Wat's Dat Sound - Tee's Dubtech?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Wat's Dat Sound - Tee's Dubtech good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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