Witch Doktor (Serge Santiago Radio Edit)
- BPM
- 125
- Open Key
- 4d
- Energy
- 98/100
- Pop
- 6/100
- Length
- 3:34
- Released
- 2019
- Album
- Witch Doktor (Serge Santiago Rework)
- Genre
- House
- Loudness
- -5.6 dB
- ISRC
- QMRSZ1901681
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Witch Doktor (Illyus & Barrientos Radio Edit)version4A · 125
- Witch Doktor (Illyus & Barrientos Remix)remix4A · 125
- Witch Doktor (Serge Santiago Remix)remix11B · 125
- Witch Doktor - Agent Orange DJ 2018 Reworkremix8B · 126
- Witch Doktor - Zedd Remixremix8A · 128
- Witch Doktor - Eddie Thoneick Remixremix9A · 128
A club-tempo house cut, Witch Doktor (Serge Santiago Radio Edit) sits in A major (11B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Hotter than 96% of Armand Van Helden's catalogue.
- Tempo:
- slower than 76% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Witch Doktor (Serge Santiago Radio Edit) in?
Witch Doktor (Serge Santiago Radio Edit) by Armand Van Helden is in A major, or 11B on the Camelot wheel.
What BPM is Witch Doktor (Serge Santiago Radio Edit)?
Witch Doktor (Serge Santiago Radio Edit) runs at 125 BPM, a club-tempo track.
What mixes well with Witch Doktor (Serge Santiago Radio Edit)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Witch Doktor (Serge Santiago Radio Edit) good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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