Crazy Things at Night by Biscits cover art

Crazy Things at Night

Biscits

30s preview

Key
1A · A♭ minor
BPM
125
Open Key
6m
Energy
97/100
Pop
0/100
Length
3:54
Released
2019
Genre
Tech House
Loudness
-5.7 dB
Dynamics
14.4 dB
ISRC
FRX201848105

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in A♭ minor (1A), Crazy Things at Night is a club-tempo tech house production. The feel is bright and euphoric. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Biscits's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 92% of Biscits's catalogue
Groove:
less groove-driven than 90% of Biscits's catalogue
Low end:
more treble-tilted than 86% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood75Bright
Groove70
Acoustic0
Instrumental44
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Crazy Things at Night in?

Crazy Things at Night by Biscits is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Crazy Things at Night?

Crazy Things at Night runs at 125 BPM, a club-tempo track.

What mixes well with Crazy Things at Night?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Crazy Things at Night good for peak time?

With energy 97 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Biscits

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track