Witch Doktor (Serge Santiago Remix)
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 2/100
- Length
- 6:37
- Released
- 2019
- Album
- Witch Doktor (Serge Santiago Rework)
- Genre
- House
- Loudness
- -5.8 dB
- Dynamics
- 12.3 dB
- ISRC
- QMRSZ1901547
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Witch Doktor (Illyus & Barrientos Radio Edit)version4A · 125
- Witch Doktor (Illyus & Barrientos Remix)remix4A · 125
- Witch Doktor (Serge Santiago Radio Edit)version11B · 125
- Witch Doktor - Agent Orange DJ 2018 Reworkremix8B · 126
- Witch Doktor - Zedd Remixremix8A · 128
- Witch Doktor - Eddie Thoneick Remixremix9A · 128
At 125 BPM in A major (11B), Witch Doktor (Serge Santiago Remix) is a club-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 89% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 76% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Witch Doktor (Serge Santiago Remix) in?
Witch Doktor (Serge Santiago Remix) by Armand Van Helden is in A major, or 11B on the Camelot wheel.
What BPM is Witch Doktor (Serge Santiago Remix)?
Witch Doktor (Serge Santiago Remix) runs at 125 BPM, a club-tempo track.
What mixes well with Witch Doktor (Serge Santiago Remix)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Witch Doktor (Serge Santiago Remix) good for peak time?
With energy 96 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
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How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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