Bounce To The Beat - Chris Stussy Remix
- BPM
- 133
- Open Key
- 8m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:17
- Released
- 2024
- Album
- Bounce To The Beat (2024 Remixes)
- Genre
- House
- Loudness
- -9.3 dB
- ISRC
- QM6P42466027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Alaia & Gallo 2k15 Mixoriginal3A · 125
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce to the Beat - Steve Lawler Remixremix3B · 128
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler Remix Editremix3A · 128
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
Against the original (3A at 125 BPM), this version runs 8 BPM faster in the same key.
At 133 BPM in B♭ minor (3A), Bounce To The Beat - Chris Stussy Remix is a peak-time tempo house production. Tonally it lands bright and euphoric. Faster than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Todd Terry's catalogue
- Groove:
- less groove-driven than 87% of Todd Terry's catalogue
- Energy:
- hotter than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bounce To The Beat - Chris Stussy Remix in?
Bounce To The Beat - Chris Stussy Remix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Bounce To The Beat - Chris Stussy Remix?
Bounce To The Beat - Chris Stussy Remix runs at 133 BPM, a peak-time tempo track.
What mixes well with Bounce To The Beat - Chris Stussy Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Bounce To The Beat - Chris Stussy Remix good for peak time?
With energy 95 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 133 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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