Bounce to the Beat - Steve Lawler Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 53/100
- Pop
- 2/100
- Length
- 6:06
- Released
- 2019
- Album
- Bounce to the Beat (Steve Lawler Remixes)
- Genre
- House
- Loudness
- -9.8 dB
- ISRC
- USMKQ1900021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Alaia & Gallo 2k15 Mixoriginal3A · 125
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler Remix Editremix3A · 128
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
- Bounce To The Beat - Chris Stussy Remixremix3A · 133
Against the original (3A at 125 BPM), this version runs 3 BPM faster and moves the key from 3A to 3B.
Bounce to the Beat - Steve Lawler Remix runs 128 BPM in D♭ major (3B), a peak-time tempo house record. It reads as balanced in mood. The groove is strong and floor-ready. It is vocal-led. Calmer than 99% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 93% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bounce to the Beat - Steve Lawler Remix in?
Bounce to the Beat - Steve Lawler Remix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is Bounce to the Beat - Steve Lawler Remix?
Bounce to the Beat - Steve Lawler Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Bounce to the Beat - Steve Lawler Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Bounce to the Beat - Steve Lawler Remix good for peak time?
With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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