Karolina Interlude by Zakes Bantwini cover art

Karolina Interlude

Zakes Bantwini

Key
2B · F♯ major
BPM
64
Double-time
128
Open Key
7d
Energy
52/100
Pop
0/100
Length
1:59
Released
2012
Album
Upfront with Zakes Bantwini
Genre
Deep House
Loudness
-17.1 dB
ISRC
ZAZ641200008

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 64 BPM in F♯ major (2B), Karolina Interlude is a deep house production. The feel is dark and steady. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Slower than 99% of Zakes Bantwini's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Zakes Bantwini's catalogue
Energy:
calmer than 96% of Zakes Bantwini's catalogue
Brightness:
darker than 90% of Zakes Bantwini's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood18Dark
Groove56
Acoustic79
Instrumental0
Live57
Speech93

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Karolina Interlude in?

Karolina Interlude by Zakes Bantwini is in F♯ major, or 2B on the Camelot wheel.

What BPM is Karolina Interlude?

Karolina Interlude runs at 64 BPM.

What mixes well with Karolina Interlude?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Karolina Interlude good for peak time?

With energy 52 out of 100 at 64 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 64 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 60-68 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 64 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Zakes Bantwini

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 64 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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