Sweet Lies
30s preview
- BPM
- 66
- Double-time
- 132
- Open Key
- 8m
- Energy
- 41/100
- Pop
- 16/100
- Length
- 3:01
- Released
- 2016
- Genre
- Drum N Bass
- Loudness
- -7.6 dB
- Dynamics
- 14.6 dB
- ISRC
- GBBZH1500332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Sweet Lies sits in B♭ minor (3A) at 66 BPM. The feel is balanced in mood. It is vocal-led. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Slower than 99% of Wilkinson's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Wilkinson's catalogue
- Low end:
- more treble-tilted than 96% of Wilkinson's catalogue
- Brightness:
- brighter than 81% of Wilkinson's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Sweet Lies in?
Sweet Lies by Wilkinson is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sweet Lies?
Sweet Lies runs at 66 BPM.
What mixes well with Sweet Lies?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sweet Lies good for peak time?
With energy 41 out of 100 at 66 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 66 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 62-70 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 66 — beatmatch without a big tempo pull.
More drum n bass
More from Wilkinson
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 66 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.