Hanukkah (Beni's Swap mix for Monsieur de Crécy)
30s preview
- Key
- 9B · G major
- BPM
- 131
- Open Key
- 2d
- Energy
- 38/100
- Pop
- 1/100
- Length
- 4:46
- Released
- 2009
- Genre
- House
- Loudness
- -3.8 dB
- Dynamics
- 10.9 dB
- ISRC
- FRU700800144
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hanukkah (Beni's Swap mix for Monsieur de Crécy) runs 131 BPM in G major (9B), a peak-time tempo house record. The feel is brooding and low-slung. The groove is strong and floor-ready. Spoken-word passages run through it. The master is loud and heavily compressed. A 2009 production that still circulates in sets. Darker than 99% of Étienne de Crécy's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 93% of Étienne de Crécy's catalogue
- Tempo:
- faster than 90% of Étienne de Crécy's catalogue
- Low end:
- more treble-tilted than 89% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Hanukkah (Beni's Swap mix for Monsieur de Crécy) in?
Hanukkah (Beni's Swap mix for Monsieur de Crécy) by Étienne de Crécy is in G major, or 9B on the Camelot wheel.
What BPM is Hanukkah (Beni's Swap mix for Monsieur de Crécy)?
Hanukkah (Beni's Swap mix for Monsieur de Crécy) runs at 131 BPM, a peak-time tempo track.
What mixes well with Hanukkah (Beni's Swap mix for Monsieur de Crécy)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Hanukkah (Beni's Swap mix for Monsieur de Crécy) good for peak time?
With energy 38 out of 100 at 131 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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