Memories of Before by Skin On Skin cover art

Memories of Before

Skin On Skin

30s preview

Key
3A · B♭ minor
BPM
132
Open Key
8m
Energy
48/100
Pop
0/100
Length
6:07
Released
2020
Genre
Techno
Loudness
-12.2 dB
Dynamics
10.1 dB
ISRC
GBJX32044710

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Memories of Before is a peak-time tempo techno track in B♭ minor (3A) at 132 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of Skin On Skin's catalogue. For programming, treat it as a mid-set roller.

Reach:
more underground than 99% of Skin On Skin's catalogue
Low end:
more bass-heavy than 80% of Skin On Skin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood57Balanced
Groove79
Acoustic4
Instrumental83
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Memories of Before in?

Memories of Before by Skin On Skin is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Memories of Before?

Memories of Before runs at 132 BPM, a peak-time tempo track.

What mixes well with Memories of Before?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Memories of Before good for peak time?

With energy 48 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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