Part Eleven
30s preview
- Key
- 8A · A minor
- BPM
- 132
- Open Key
- 1m
- Energy
- 54/100
- Pop
- 42/100
- Length
- 3:25
- Released
- 2018
- Genre
- Techno
- Loudness
- -11.3 dB
- Dynamics
- 15.2 dB
- ISRC
- DEE861800401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Part Eleven: peak-time tempo techno, A minor (8A), 132 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. More treble-tilted than 93% of Paul Kalkbrenner's catalogue.
- Reach:
- better known than 92% of Paul Kalkbrenner's catalogue
- Groove:
- less groove-driven than 86% of Paul Kalkbrenner's catalogue
- Tempo:
- faster than 84% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Part Eleven in?
Part Eleven by Paul Kalkbrenner is in A minor, or 8A on the Camelot wheel.
What BPM is Part Eleven?
Part Eleven runs at 132 BPM, a peak-time tempo track.
What mixes well with Part Eleven?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Part Eleven good for peak time?
With energy 54 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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