All Rize (Harry Romero remix)
30s preview
- BPM
- 132
- Open Key
- 8d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:11
- Released
- 2025
- Genre
- Techno
- Loudness
- -8.2 dB
- Dynamics
- 10.1 dB
- ISRC
- GBLTF2500144
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in D♭ major (3B), All Rize (Harry Romero remix) is a peak-time tempo techno production. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Radio Slave's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 86% of Radio Slave's catalogue
- Energy:
- calmer than 81% of Radio Slave's catalogue
- Brightness:
- brighter than 75% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is All Rize (Harry Romero remix) in?
All Rize (Harry Romero remix) by Radio Slave is in D♭ major, or 3B on the Camelot wheel.
What BPM is All Rize (Harry Romero remix)?
All Rize (Harry Romero remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with All Rize (Harry Romero remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is All Rize (Harry Romero remix) good for peak time?
With energy 54 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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