Selber
30s preview
- BPM
- 133
- Open Key
- 4m
- Energy
- 42/100
- Pop
- 0/100
- Length
- 4:07
- Released
- 2001
- Genre
- Techno
- Loudness
- -10.2 dB
- Dynamics
- 13.1 dB
- ISRC
- DEAE60100132
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in F♯ minor (11A), Selber is a peak-time tempo techno production. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2001 production that still circulates in sets. More underground than 99% of Paul Kalkbrenner's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 90% of Paul Kalkbrenner's catalogue
- Tempo:
- faster than 88% of Paul Kalkbrenner's catalogue
- Brightness:
- brighter than 82% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Selber in?
Selber by Paul Kalkbrenner is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Selber?
Selber runs at 133 BPM, a peak-time tempo track.
What mixes well with Selber?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Selber good for peak time?
With energy 42 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 133 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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