Hallelujah - Roy's unreleased Gospel Mix
30s preview
- Key
- 1B · B major
- BPM
- 129
- Open Key
- 6d
- Energy
- 40/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -13.9 dB
- Dynamics
- 25.7 dB
- ISRC
- USA670400481
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
At 129 BPM in B major (1B), Hallelujah - Roy's unreleased Gospel Mix is a peak-time tempo deep house production. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 26 dB). A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue.
- Energy:
- calmer than 98% of Kerri Chandler's catalogue
- Tempo:
- faster than 98% of Kerri Chandler's catalogue
- Brightness:
- darker than 86% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 21%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Roy's unreleased Gospel Mix in?
Hallelujah - Roy's unreleased Gospel Mix by Kerri Chandler is in B major, or 1B on the Camelot wheel.
What BPM is Hallelujah - Roy's unreleased Gospel Mix?
Hallelujah - Roy's unreleased Gospel Mix runs at 129 BPM, a peak-time tempo track.
What mixes well with Hallelujah - Roy's unreleased Gospel Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Hallelujah - Roy's unreleased Gospel Mix good for peak time?
With energy 40 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 129 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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