Hallelujah - 6:23 Beats
- BPM
- 124
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -10.9 dB
- ISRC
- USA670602813
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
- Hallelujah - Angelo Ferreri Shatter Extended Mixversion1A · 124
A club-tempo deep house cut, Hallelujah - 6:23 Beats sits in B minor (10A) at 124 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 98% of Kerri Chandler's catalogue
- Brightness:
- brighter than 81% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hallelujah - 6:23 Beats in?
Hallelujah - 6:23 Beats by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is Hallelujah - 6:23 Beats?
Hallelujah - 6:23 Beats runs at 124 BPM, a club-tempo track.
What mixes well with Hallelujah - 6:23 Beats?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hallelujah - 6:23 Beats good for peak time?
With energy 99 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.