Hallelujah - Robosonic Remix
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 2/100
- Length
- 7:27
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -8.7 dB
- Dynamics
- 17.5 dB
- ISRC
- USA671300204
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
- Hallelujah - Angelo Ferreri Shatter Extended Mixversion1A · 124
Against the original (3A at 124 BPM), this version holds the same tempo and moves the key from 3A to 1A.
A club-tempo deep house cut, Hallelujah - Robosonic Remix sits in A♭ minor (1A) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 18 dB). A 1996 production that still circulates in sets. Groovier than 96% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Kerri Chandler's catalogue
- Brightness:
- brighter than 79% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Robosonic Remix in?
Hallelujah - Robosonic Remix by Kerri Chandler is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Hallelujah - Robosonic Remix?
Hallelujah - Robosonic Remix runs at 124 BPM, a club-tempo track.
What mixes well with Hallelujah - Robosonic Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Hallelujah - Robosonic Remix good for peak time?
With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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